'Liminal Alexandrina Road', scroll to view.
Concept drawings for 'Liminal Alexandrina Road'. Ruins reimagined and renovated with repurposed orchard netting.
A month after installation and the canola field starts to grow...
Detail, the ruin had a partial renovation. Posts and batons were installed to original footings.
Open Day. Vistors walked around the ruin and canola field.
The solar lights caught the installation at night.
Window frames replaced and orchard netting installed.
Nights shots of the ruin.
View from the road at night.
Adelaide International Airport, University of South Australia, Palmer Sculpture Biennial and Waverly Art Prize Finalist, Sydney. Scroll to view.
Oz Minerals Prize for Adelaide International Airport Commission.
Work for the commission under Masters of Visual Art and Studio Practice.
Playing with patinas.
Copper tops were put into a spinner's mill to create edges, hammered centres created varying shapes.
500x500mm, last laser cut, silver solded work available.
platter available.
Concrete sets available to order.
Waverley art prize finalist. sold
The Heysen Sculpture Biennial invited sculptors to engage with Han Heysen's property in Handorf, Adelaide Hills, South Australia. Scroll to view.
Early experiments of orchard netting, Adelaide, 2018.
The Heysen Sculpture Biennial is open to the public throughout the Adelaide Festival.
The area allocated for Santin's work was Hans Heysen's old apple orchard which often appeared as a backdrop in his paintings.
Two different types of orchard netting sourced from D'Arenberg Winery, McLaren Vale.
The orchard netting was secured with cabel ties to existing posts and branches.
This scene was often painted by Hans Heysen.
To move through spaces where Hans Heysen once walked informed the installation.
Pleased to be reviewed by Artlink Magazine.